DVD

四重奏

7.0

地区：法国语言：英语

主演：阿兰·贝茨玛吉·史密斯伊莎贝尔·阿佳妮安东尼·希金斯

导演：詹姆斯·伊沃里类型：爱情年份：1981

更新时间：2025-04-07 20:24:14

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《四重奏》剧情介绍

由詹姆斯·伊沃里执导的《四重奏》集结了阿兰·贝茨,玛吉·史密斯,伊莎贝尔·阿佳妮,安东尼·希金斯等实力派演员，是1981年上映的爱情片，凭借精湛的演技和扎实的剧情赢得观众好评，口碑持续走高，这部爱情片讲述了，　　It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.　　Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.　　When Marya's husband is put in a Paris prison on charges of selling stolen art works, sh
影片点评： 该片现有3528人参与打分点评，其中有350人为此片点赞👍，表示喜欢《四重奏》，另有213人点了踩👎。

视频平台付费在线观看《四重奏》

《四重奏》常见问题

1、请问哪个平台可以免费在线观看《四重奏》全集高清版？

西瓜影视网友：免vip无广告观看地址，www.chaiyy.com 记得分享给喜欢爱情片的朋友。在这里，你可以轻松找到最新、最热门的影视资源，高清流畅，无广告打扰！无论是院线大片、经典老片，还是热门剧集，应有尽有

2、《四重奏》导演是谁？演员有哪些？阵容怎么样？值得看吗？

百度视频网友：《四重奏》是由詹姆斯·伊沃里亲自执导，以其独特的美学风格/叙事手法打造出这部震撼人心/极致唯美的视听盛宴！大师手笔，必属精品！，超强阵容由阿兰·贝茨,玛吉·史密斯,伊莎贝尔·阿佳妮,安东尼·希金斯主演的一部爱情片。当顶级演员遇上传奇导演，注定成就一部影史经典！无论是剧情张力、表演层次，还是镜头语言，都堪称教科书级别，绝对让你大呼过瘾！不可错过！

3、《四重奏》是什么时间上映/开播的？

咪咕视频网友：《四重奏》是1981年上映！详细日期和播出时间可以到百度查询或者询问各种AI。

4、柴狗影视网站里的《四重奏》是全集高清版本吗？清晰度怎么样？用手机观看卡不卡？

柴狗影视网友：本站提供的《四重奏》是高清版，支持手机免费在线观看，高速秒播不卡顿，如果播放失败或者卡顿情切换播放源。给大家普及下清晰度介绍，DVD分辨率较低（720×576），适合老片源；**HD（高清）**涵盖720p或1080p，适合主流观看；BD（蓝光）提供1080p或更高无损画质，音效极佳；2K（2048×1080）和4K（3840×2160）属于超高清，适合大屏设备。优先级推荐：BD/4K > HD > TC > TS > CAM，DVD多为怀旧片源。

5、《四重奏》的评价怎么样？评分高吗?

豆瓣电影网友评价：正所谓"众口难调"，一部爱情片就像一桌盛宴，爱情片的魅力恰恰在于它能满足不同观众千差万别的审美需求，让每个人都能找到触动自己内心的那一帧画面、那一句台词、那一段旋律。这或许就是爱情片艺术的魔力所在——它从不是单一标准的产物，而是百花齐放的万花筒，让每个观众都能在其中找到属于自己的光影梦境。《四重奏》有350人为此片点赞，表示喜欢《四重奏》，另有213人不赞同，此片评分为7.0，你觉得《四重奏》好看吗？可以留言发表自己的见解。

《四重奏》的用户评论

精选平台评价：

时光网影评：

《四重奏》剧作质量显著提升，节奏明快不拖沓，角色塑造更加立体。突破性的人物形象设计令人耳目一新（如不修边幅却魅力十足的主角）。声音设计成为最大亮点，音效的叙事性运用堪称行业典范。

豆瓣电影短评：

由詹姆斯·伊沃里执导的《四重奏》在视觉美学上极具创新性，每个场景都充满匠心独运的设计元素。叙事层面存在一定解读空间，这种开放性的表达方式引发了观众两极讨论。

腾讯视频热评：

被多位友人强烈安利后入坑，原本对爱情片题材无感，却被阿兰·贝茨,玛吉·史密斯,伊莎贝尔·阿佳妮,安东尼·希金斯等演员的精湛表演和紧凑剧情深深吸引。从第一集就建立的高强度戏剧张力让人欲罢不能。

优酷专业点评：

《四重奏》剧本完成度极高，兼具文学深度与商业可看性。詹姆斯·伊沃里导演在类型框架下实现了作者表达，虽离传世经典尚有距离，但已展现出成为标杆作品的潜质。

爱奇艺演技观察：

全阵容演技在线，尤其阿兰·贝茨,玛吉·史密斯,伊莎贝尔·阿佳妮,安东尼·希金斯等演员的突破表现令人惊喜。戏骨与实力派的对手戏火花四溅，共同奉献了教科书级的表演盛宴。

　　It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.　　Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.　　When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."　　Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.　　Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.